Browsing: Jasahara-cariu (Beta 1471)

Five naked men are walking, each carrying a water-pot and white broom. The natural landscape is shown by the palm trees.

These men are advanced Digambara monks and thus they are fully naked. Among Digambaras, the broom carried by all Jain mendicants is usually made of peacock feathers. Here, its white colour suggests that it is probably made of cotton and thus it looks more like the broom of Śvetāmbara monks.

The trees offer some shade, since it is the hot season, as the text says. These monks are wandering in the forest near King Māridatta's capital, Rājapura. They are led by Sudatta, as mentioned in line 6 – Sudatto muṇi.

Sudatta found that Rājapura was not fit for life according to the rule because it was a place for pleasure so he decided that they should stay in 'a very dreadful cemetery'. This masāṇu bībhacha bhuri is extensively described, beginning on line 3 of the folio's other side.

The long protruding eye is a typical feature of western Indian painting. Its origin is unclear.

Other visual elements

This is a good example of an average manuscript. A red background is used for the painting but there is no use of gold, intricate design elements or elaborate script.

In the upper and left margins there are syllables missing from the main text, or corrections. The number before them is the line number where they should be inserted.

Script

The script used for the main text is the Jaina Devanāgarī script. It is used for writing numerous Indian languages, here Apabhraṃśa Prakrit.

The 15th-century Digambara poet Raidhū composed a version of one of the most important Jain tales – the Story of Yaśodhara. Called the Jasahara-cariu, which means 'the story of Yaśodhara' in Apabhraṃśa Prakrit, Raidhū’s version has the subtitle of 'having the characteristic of compassion' – daya-lakkhaṇa. This underlines the main teaching of the story, which is a manifesto against violence of all types and a defence of non-violence.

A story with several episodes, the tale of Yaśodhara is a good representative of religious teaching in narrative form – dharma-kathā. Its importance comes from the fact that it shows very clearly the working of karma and rebirth and refers to key concepts, such as:

• violence – hiṃsā – both factual and intentional
• desire or greediness.

Ultimately, all the protagonists become pious Jains and will be emancipated.

The text is divided into four sections called sandhi, which go into detail about all the rebirths that are recounted in the story within a story:

This version of the story has not yet been published. It is known from very few manuscripts, which are all illustrated and in India. However, not a single manuscript is complete. So this one, held in the Wellcome Trust in London, is a precious document, even though it is only the first half of the story. It is probable that the second half of the document is a manuscript originally kept in Delhi, dated 1454 CE. It is also very likely that a single folio in the Los Angeles County Museum of Art is part of the same manuscript (see Balbir, forthcoming).

Like other versions of the tale of Yaśodhara, Raidhū's narrative poem is a major inspiration for illustrations in Digambara manuscripts.

Common Era

The period of time starting with the year when Jesus Christ was traditionally believed to have been born. Using CE is a more secular way of dating events in a multinational, multi-religious world.

Digambara

'Sky-clad' in Sanskrit, used for one of the two main divisions of Jainism, in which monks are naked. There are some differences of doctrine or belief between these two sects and to some extent their followers consider themselves as belonging to distinct branches. Divisions can be fierce in practical matters, for example, over the ownership of pilgrimage places, but all sects see themselves as Jains.

Hiṃsā

Violence, the fact of harming in any way.

Jain

Follower of the 24 Jinas or an adjective describing Jain teachings or practices. The term 'Jaina' is also used although 'Jain' is more common.

Kathā

Story, narrative literature.

Saṃsāra

Cycle of birth, life, death and rebirth caused by karma binding to the soul as a result of activities. Only by destroying all karma can this perpetual cycle finish in mokṣa – liberation. The karma gained in life affects the next life, and even future lives, for example:

• in which of the three worlds the life is lived out
• which of four conditions – gati – the body takes, namely human, divine, hellish or as a plant or animal.

Monk

A man who has taken a public vow to withdraw from ordinary life to formally enter religious life and advance spiritually. Frequently, monks perform physical austerities or undergo physical hardships in order to progress spiritually.

Nudity

The Digambara mendicants are 'sky-clad' because they believe that all the Jinas and their male ascetic followers went nude as part of their vow of renunciation. This vow entails renouncing all possessions, including clothing. Female Digambara ascetics wear white saris and are thus technically spiritually advanced celibate laywomen. Śvetāmbara mendicants of both sexes, however, wear white clothing. The difference of opinion over whether the vow of non-possession includes clothing was one reason for the Jain community's split into these two major sects early in the Common Era.

Vihāra

A Sanskrit term that describes the wandering lifestyle of Jain mendicants. Jain monks and nuns are expected to travel around, not stay in one place as householders do. They wander constantly on foot, never staying more than a few days in one place. They may walk around 30 kilometres a day in small groups. However, every year, during the monsoon, monks and nuns stay in one location to avoid travelling.

Apabhraṃśa

Apabhraṃśa is an umbrella term for the dialects that were the forerunners of modern Indian languages. Taken from the Sanskrit term apabhraṃśa, which literally means 'corrupt' or 'non-grammatical language', Apabhraṃśa was used to write a large number of Jain texts. Though Apabhraṃśa developed over the 6th to 13th centuries, literary works date back to the 8th century.

Jaina Devanāgarī

The distinctive version of the Devanāgarī script found in Jain manuscripts.

Folio

A single sheet of paper or parchment with a front and a back side. Manuscripts and books are written or printed on both sides of sheets of paper. A manuscript page is one side of a sheet of paper, parchment or other material. The recto page is the top side of a sheet of paper and the verso is the underside.