The Kālakācārya-kathā – 'story of the religious teacher Kālaka' – emphasises the connection between religious practice and magical abilities. As an accomplished Jain teacher, Kālaka can master various magical sciences and transmute brick into gold. He uses his powers to help the Śakas, a foreign population. In exchange, the Śakas help him destroy the wicked king Gardabhilla.
This eventful tale belongs to the Śvetāmbara Jain tradition. It is known in several versions in various languages and is often illustrated.
The story is frequently found as an appendix to the Kalpa-sūtra because the last part of the story explains how Kālaka changed the date of Paryuṣaṇ. This annual festival was moved from the fifth day of the bright half of the month Bhādrapada – roughly equivalent to August to September – to the fourth. The Kalpa-sūtra has a central role in Paryuṣaṇ.
The version of the story here is that of Bhāvadeva-sūri, a Jain Śvetāmbara author of the 13th century CE. It is written in Jaina Māhārāṣṭrī Prakrit and represents a short recension, where the story is told in simple language without poetical embellishments.
The first page of a manuscript of the Śvetāmbara Kālakācārya-katha shows King Vajrasiṃha and Queen Surasundarī of Dharāvāsa in conversation. Held in the Philadelphia Museum of Art, the 14th-century folio is from Gujarat and relates the tale of ‘the religious teacher Kālaka'. This legend describes how Prince Kālaka is inspired to become a monk and goes through various adventures in which his religious practice gives him magical powers.
http://www.philamuseum.org/collections/permanent/96046.html?mulR=32227|8
The richly decorated page of a manuscript of the Śvetāmbara Kālakācārya-katha contains the text of the story of ‘the religious teacher Kālaka'. Although it does not have a conventional illustration, the lavishly coloured page boasts figures in the side margins, floral borders and silver writing. Held in the Philadelphia Museum of Art, the 14th-century folio is from Gujarat. The whole tale relates how Prince Kālaka is inspired to become a monk and goes through various adventures in which his religious practice gives him magical powers.
http://www.philamuseum.org/collections/permanent/96057.html?mulR=32227|10
The Śvetāmbara monk Kālaka and the king of the gods, Śakra, discuss Jain doctrine. The National Gallery of Australia provides this highly decorated page from a 15th-century manuscript of the Kālakācāryakathā.
http://artsearch.nga.gov.au/Detail-LRG.cfm?IRN=3131&View=LRG
British Library. Or. 13475. Unknown author. Perhaps 15th century
British Library. Or. 13950. Unknown authors.
British Library. I.O. San. 3177. Unknown author. 1437