Browsing: Kalpa-sūtra (Or. 13959)

The left-hand caption says: Trisalā śoka 15 – Triśalā’s sadness, [illustration number] 15 [in this manuscript]. The right-hand caption says: Triśalā-harṣaḥ 16 – Triśalā’s joy, [illustration number] 16 [in this manuscript].

In the left-hand picture a bejewelled woman sits on a richly ornamented throne with another, smaller female figure standing nearby. The seated woman rests her head on her hand. The illustration on the right shows a similarly dressed woman sitting on a throne, again with a smaller woman standing next to her. Peacocks roam outside the palace.

These paintings represent two episodes in the life story of Mahāvīra, the 24th Jina.

The picture on the left shows Queen Triśalā with her head on her hand in a gesture of sadness. When Triśalā was pregnant with him, the embryo Mahāvīra did not stir out of compassion for her. His mother was full of grief, thinking that he had died. A female servant waits on her.

Feeling her sorrow, Mahāvīra moved gently and Triśalā was happy again. The right-hand illustration shows her smiling once more, blooming with joy. Again, she is seen with a female attendant.

Note the intricate ornamentation of the painting. The faces are full of expression and the twin paintings have subtle symmetry.

The long protruding eye is a typical feature of western Indian painting. Its origin is unclear.

Other visual elements

As with many Kalpa-sūtra manuscripts, there is a clear intention to make the manuscript a valuable and remarkable object in itself. This aim is signalled by:

• the shape and style of the script, which is close to calligraphy
• the red background of the pictures
• the  profusion of gold in the paintings
• the decorated borders with blue floral arabesques
• the three circles filled with red ink, the outer two surrounded by blue and gold ornamental motifs.

The three circles along the central horizontal plane are symbolic reminders of the way in which manuscripts were bound at one time. Strings through three holes in the paper were used to thread together the loose folios so the reader could turn them over easily. The circles are in the places where the holes would once have been.

Script

The elaborate script used for the main text is the Jaina Devanāgarī script, in a form which recalls calligraphy. It is used for writing numerous Indian languages, here for Prakrit.

There are a few notable features of this script:

• it is an old type in the way the sounds e and o are notated when used with a consonant, known as pṛṣṭhamātrā script
• the red vertical lines within the text divide the long sentences into smaller parts, but are not necessarily punctuation marks.

The Kalpa-sūtra is the most frequently illustrated Jain text of the Śvetāmbara sect. It is read and recited by monks in the festival of Paryuṣaṇ, which takes place in August to September each year.

The first part of the Kalpa-sūtra deals with the lives of the Jinas, especially Mahāvīra, Pārśva, Nemi and Ṛṣabha. It features almost identical stories of their births, lives as princes, renunciation, enlightenment and emancipation.

The second part – Sthavirāvali – is a praise of the early teachers of Jainism. The third part – Sāmācārī – deals with particular monastic rules to be followed during the rainy season.

Jain

Follower of the 24 Jinas or an adjective describing Jain teachings or practices. The term 'Jaina' is also used although 'Jain' is more common.

Kāla

Time. One of the five insentient non-material substances that make up the universe along with the sentient substance, called jīvastikaya.

Kalpa-sūtra

The Book of Ritual attributed to Bhadrabāhu. It has three sections:

1. 'Jina-caritra' – 'Lives of the Jinas'
2. 'Sthavirāvalī' – 'String of Elders'
3. 'Sāmācārī' – 'Right Monastic Conduct'.

A significant sacred text for Śvetāmbara Jains, the Kalpa-sūtra has a central role in the annual Paryuṣaṇ festival.

Kevala-jñāna

Omniscience, enlightenment or perfect knowledge – the highest of the five types of knowledge , where one knows everything wherever and whenever it is. It is extremely difficult to attain, equivalent to the 13th stage of spiritual purity in the guṇa-sthāna. Digambaras believe only men can achieve it whereas Śvetāmbaras believe that both men and women can become enlightened.

Śvetāmbara

'White-clad’ in Sanskrit, the title of one of the two main divisions of Jainism, in which both male and female mendicants wear white robes. There are some differences of doctrine or belief between these two sects and to some extent their followers consider themselves as belonging to distinct branches. Divisions can be fierce in practical matters, for example, over the ownership of pilgrimage places, but all sects see themselves as Jains.

Mahāvīra

The 24th Jina of the present age. His symbolic colour is yellow and his emblem the lion. Mahāvīra or 'the great hero' is his title. His birth name was Vardhamāna, meaning 'ever increasing'. His existence is historically documented but the two main sects of Digambara and Śvetāmbara Jains have slight differences in their accounts of his life.

Triśalā

The kṣatriya birth-mother of Mahāvīra. Queen Triśalā was married to King Siddhartha.

Monk

A man who has taken a public vow to withdraw from ordinary life to formally enter religious life and advance spiritually. Frequently, monks perform physical austerities or undergo physical hardships in order to progress spiritually.

Rainy season

The annual four-month rainy period in India, lasting roughly from June / July to October / November. Heavy rain, strong storms and gale-force winds are very common during this period. Mendicants cannot travel around and must stay in one place to avoid breaking their vow of non-violence and because the monsoon makes travelling on foot difficult and dangerous. It is known as cāturmāsa in Sanskrit, comāsa in Hindi and comāsu in Gujarati.

Prākrit

A term for any of the dead vernacular languages of ancient and medieval India. It may be contrasted with classical Sanskrit, the language used by priests and the aristocracy. The Jains used a large variety of Prakrits, with the Jain canon written chiefly in Ardhamāgadhī Prākrit.

Jaina Devanāgarī

The distinctive version of the Devanāgarī script found in Jain manuscripts.

Folio

A single sheet of paper or parchment with a front and a back side. Manuscripts and books are written or printed on both sides of sheets of paper. A manuscript page is one side of a sheet of paper, parchment or other material. The recto page is the top side of a sheet of paper and the verso is the underside.