This page is a diagram of planetary bodies, their distance from the ground and the distances between some of them.
All the captions on this picture are in Nāgarī script, used here to write the Gujarati language. They are Gujarati translations of the Prakrit verses 48 to 52 of the text of the manuscript. However, since the diagram takes up the whole page, there is no space for the text itself.
There are two levels to this painting, each divided into several panels.
This is a graphic representation of verses 48 to 50 in the original Prakrit text. These eight panels deal with the distance of the various luminaries or planetary bodies from the surface of the earth and the distance between them. Each panel has a yellow border and a caption.
From left to right:
The planets have the colour with which they are traditionally associated – red for Mars, black for Saturn.
Note that the folios are loose so can be turned in various directions. Here, if the folio is rotated the viewer can read the captions on the top panel more easily, reading upwards from Mount Meru on the bottom.
All in Nāgarī script and going from left to right, the captions are presented in the table.
Prakrit caption |
English rendering |
---|---|
tārā 790 jojana uṃcā samabhūtala thakī |
The stars are 790 yojanas higher than the foot of Mount Meru |
tārā thakī jojana 10 sūrya ūṃco |
The sun is 10 yojanas higher than the stars |
sūrya thī jo° 80 caṃdra uṃco |
The moon is 80 yojanas higher than the sun |
caṃdra thī yo° 4 nakṣatra |
The constellations are 4 yojanas from the moon |
naṣatra thī jo°4 Budha ūṃco |
Mercury is 4 yojanas higher than the constellations |
Budha thī jo° 3 Śukra uṃca jāṃ° |
Venus is known to be 3 yojanas higher than Mercury |
Śukra thī jo 3 Bṛhaspa° |
Jupiter is 3 yojanas from Venus |
Bṛhaspatī thī yo 3 Maṃga ja° |
Mars is 3 yojanas from Jupiter |
Śanī Maṃgala thī jo 3 anī |
Saturn is known to be 3 yojanas from Mars |
There are three panels on this row, each containing a different picture and caption.
The tiered structure with a banner on top is Mount Meru. It is the centre of the Jain world, at the heart of the Mahā-videha and Jambū-dvīpa. It has three terraces, here painted in green. Each one is smaller than the one below and is planted with forests. On the top one – the cūlikā – is a temple to the Jinas, which is here symbolised by the banner. This is often seen at the top of Jain temples even today.
The total height of Mount Meru is 100,000 yojanas, 99,000 of which are above the ground while 1,000 is underground.
The circles around Mount Meru represent the five types of luminaries or planetary bodies. They are known as Jyotiṣa or, here, Jotisi:
The caption on the left side of the banner reads:
Jotiṣī Meru thakī alagā 1121 jojana caṃdramā sūrya graha nakṣatra tārā rahai.
The luminaries – moon, sun, planets, constellations, stars – are at a distance of 1121 yojanas from the Meru.
The caption on the right side says the same:
1121 jojana Meru thakī Jotiṣī alagā rahe chaiṃ //
The luminaries are at a distance of 1121 yojanas from the Meru.
This consists of a green background above a semicircle shape, which sits on a yellow band above a caption.
This caption, a Gujarati rendering of part of verse 52, describes the shape of the luminaries. Although the luminary pictured here is a semicircle, the usual shape is the circle.
The caption reads:
araddha kavaṭṭhāgārā e gāhā no artha teha no jantra jāṃṇavo
These planets have the shape of half-circles. The meaning should be known from the diagram.
There are two smaller sections making up the panel. In the left-hand one, yellow circles stack vertically around a grey circle, which has a darker slice.
The section on the right has a green background with a large black semicircle down the left.
This diagram can be understood with the caption below:
aloka thī jojana 1111 Jotiṣī alagā rahai //
The luminaries are at a distance of 1111 yojanas from the trans‑cosmic space
The trans-cosmic space is a vacuum. The black semicircle on the right probably represents this vaccum. This diagram is an attempt to depict part of verse 51 of the Saṃgrahaṇī-ratna or Trailokyadīpikā.
The right-hand margin contains the number 14, which is the folio number.
Mount Meru is the centre of the universe in Jain cosmology, at the heart of the central continent called Jambū-dvīpa. Jambū is where human beings live and is in the Middle World, one of the three worlds of traditional Jain cosmology.
The Middle World is the smallest of the three worlds that make up world space – loka-ākāśa. In world space all the souls live in the different body-forms they take according to their rebirths, in the various worlds. Outside world space is the non world space – aloka-ākāśa – which is endless. However, the Middle World is the most important area from the spiritual point of view because it is the only part where human beings can live.
Pictures in cosmological works are not intended to be merely attractive. Spelling out in visual form the complex explanations found in the writings, cosmological paintings form a long-established tradition of artwork in Jain heritage.
Jains cannot advance spiritually without understanding and meditating upon cosmological theories so understanding them is crucial. Certain key religious concepts run through these theories. These include the notion of a physical soul shedding karma by moving through the cycle of rebirth to eventual omniscience and final liberation, along with the cyclical nature of time, the interconnectedness of the universe, and the importance of symmetry, repetition and balance.
Victoria and Albert Museum. IS 2-1984. Unknown author. 1630
With commentary by Dharmameru. British Library. Or. 13456. Śrīcandra. 1812
British Library. Or. 2116 ms. C. Śrīcandra. Perhaps 16th century
Wellcome Trust Library. 575181i. Unknown author. 19th century