This labyrinth-shaped diagram in red ink is on the back of the sūri-mantra-paṭa.
This is a nandyāvarta, which is one of the eight auspicious symbols – aṣṭa-mangala.
This diagram was only found in spring 2013, when restoration and conservation work revealed an intermediate lining on the back of the paṭa. When this was peeled back, two nandyāvartas were visible on the reverse of the paṭa.
It is not known when these symbols were added, who drew them or why, although it is likely that the nandyāvartas are believed to increase the power of the maṇḍala on the front.
A sūri-mantra-paṭa is a mystical diagram on cloth, like here, or on paper, which features formulas of homage and sacred syllables – mantras. It is thus a kind of maṇḍala or yantra, which is frequently used in worship and meditation among both ascetics and lay people.
Monks of the Śvetāmbara monastic orders use sūri-mantra-paṭas when they reach the higher ranks of religious hierarchy. The yantra gets its name from the highest grade of male mendicant, which is sūri, but it can also be used among lower monastic levels. More generally, worshippers are inspired by the example of Indrabhūti Gautama or Gautama-svāmin, the foremost disciple of Mahāvīra, the 24th Jina. He is often shown at the centre of the diagram, although not here.
The date on this sūri-mantra-paṭa corresponds to 1449 CE, making it among the oldest known examples. All yantras include pictures and text but the muted colour scheme and chiefly textual appearance of this one contrasts sharply with modern sūri-mantra-paṭas, which are often brightly coloured and have little text.
An image of a contemporary Br̥had Sūrimantra Paṭa on Flickr. This maṇḍala is used in rituals of worship, specifically by the highest-ranking monks in the various Śvetāmbara Mūrti-pūjak orders. This example is mainly made up of colourful illustrations, with auspicious symbols, mantras and figures surrounding Indrabhūti Gautama, in the centre. As the lead disciple of Mahāvīra, Gautama is the role model of the perfect ascetic leader.
An ornate sūri-mantra-paṭa on the Flickr website. A large golden figure of Indrabhūti Gautama, head disciple of Mahāvīra, takes the lotus position in the centre, flanked by worshippers. Rows of deities and worshippers honour him while sacred syllables and the 24 Jinas form rings around him.
This sacred object is used for ritual and meditation by Śvetāmbara Mūrti-pūjak monks, primarily those from the Kharatara-gaccha and Tapā-gaccha. Only top-ranking monks can use it, aiming to imitate Gautama and to harness the power of the maṇḍala.
This striking gold-and-black sūri-mantra-paṭa presents Indrabhūti Gautama in the middle. He sits within two triangles positioned within concentric circles, surrounded by holy figures and scenes of worship. Gautauma was the head disciple of the 24th Jina, Mahāvīra, and his spirituality and leadership provide an example to which monks aspire. Such yantras are used by leaders of Śvetāmbara Mūrti-pūjak mendicant orders, with the Kharatara-gaccha in particular ascribing great powers to these ritual objects.
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A circular sūri-mantra-paṭa on the HereNow4U website. This modern paṭa on a tomato-red background has at its centre an image of Indrabhūti Gautama, head disciple of Mahāvīra, who is being worshipped by lay men. The 24 Jinas and other holy figures sit in concentric circles, separated by a ring of mantras. A pair of auspicious eyes, the hrīṃ mantra and the sun and moon sit above the paṭa.
The Virginia Museum of Fine Arts presents this colourful sūri-mantra-paṭa dating to the second half of the 17th century. Click on the picture to view the image in more detail.
Sūri-mantra-paṭas are yantras used only by Śvetāmbara Mūrti-pūjak monks, especially the Kharatara-gaccha and the Tapā-gaccha, when they reach the rank of sūri. Typically, this example depicts Indrabhūti Gautama, the first disciple of Mahāvīra, in the centre.
Royal Asiatic Society. 065.001. Unknown author. 1449
Royal Asiatic Society. 065.001. Unknown author. 1449
Royal Asiatic Society. 065.001. Unknown author. 1449
Royal Asiatic Society. 065.001. Unknown author. 1449