This rectangular red satin cover may date back to the late 19th century. An ornate border on all four sides functions as a frame. There are 14 finely embroidered pictures in individual compartments.
Moving from left to right, the images are as follows:
These are the 14 dreams which the mother of a future Jina sees. They announce his great destiny.
As is often the case, the goddess Śrī is larger than the symbols of the other dreams and is therefore more prominent visually. Here her picture occupies a central position across the second and third rows.
In artefacts of a relatively late period, the ocean is often symbolised by a vessel or ship, as with this manuscript cover. This often shows the influence of European art. Similarly, the artists also often exercise creativity when depicting the 'palace' – here, next to the ship – and its architectural features.
Together with the eight auspicious symbols, the 14 dreams have proven one of the favourite themes on manuscript covers – called pāṭhuṃ in Gujarati – since the 18th century.
They indicate the importance of the concept of dreams in the Jain tradition, especially in the context of the lives of the Jinas.
A book is bound, which means it has a spine into which the pages are glued or stitched so a reader can easily turn over the pages. A traditional manuscript is made up of loose sheets of paper. Earlier manuscripts were created from palm leaves or similar material. The sheets were tied together using strings passed through holes in each sheet or folio so the reader could turn them over easily.
A manuscript is unbound but sometimes has a manuscript cover to protect it. This has two parts, one at the beginning, the other at the end. Manuscript covers are made of paper, cloth, cardboard or wood. They can be decorated and painted.
This painting of Queen Triśalā's auspicious dreams is on a folio of the Kalpa-sūtra held in the Brooklyn Museum in New York. Women experience auspicious dreams when they are carrying babies who grow up to be Jinas. These dreams predict the great spiritual leadership of their children. The Digambara sect specifies 16 dreams while the Śvetāmbaras lists 14 dreams.
The Jain Society of Seattle offers information about Queen Triśalā, mother of Mahāvīra, the 24th Jina. Descriptions and interpretations of her auspicious dreams are provided, accompanied by photographs of silver sculptures of the dreams. Frequently found in temples, freestanding metal representations of the dreams are used in rituals among both Digambara and Śvetāmbara sects, such as the celebrations of Mahāvīr Jayantī. The 14 dreams of the Śvetāmbaras also play a role in their festival of Paryuṣan.
JainUniversity.org provides a list and interpretation of the Śvetāmbara dreams of Queen Triśalā. All women pregnant with babies who will become Jinas experience auspicious dreams, which foretell the great spiritual leadership of their children. The Digambara sect specifies 16 dreams while the Śvetāmbaras have 14 dreams.
Pictures of the dreams experienced by women carrying babies who grow up to become Jinas. All these women experience auspicious dreams indicating the great spiritual leadership of their children. The Digambara sect specifies 16 dreams while the Śvetāmbaras lists 14 dreams. This page is provided by the International Digamber Jain Organization.
This community page on Facebook describes and interprets Queen Triśalā's dreams according to the Śvetāmbara sect. It also provides photographs of silver and gold sculptures of the dreams. Frequently found in temples, freestanding metal representations of the dreams are used in rituals among both Digambara and Śvetāmbara sects, such as the celebrations of Mahāvīr Jayantī. The 14 dreams of the Śvetāmbaras also play a role in their festival of Paryuṣan.
Jainworld.com provides pictures and explanations of the dreams of Queen Triśalā. Women carrying babies who grow up to become Jinas all experience auspicious dreams, which signal the great spiritual leadership of their children. The Digambara sect specifies 16 dreams while the Śvetāmbaras have14 dreams.
The mothers of Jinas experience auspicious dreams indicating that their children will grow up to be great spiritual leaders. The Śvetāmbara sect lists 14 dreams while the Digambaras specify 16 dreams. This information was provided for the 1997 festival of Mahāvīr Jayantī by JAINA, made available on a faculty private page on the Colorado State University website.
http://www.cs.colostate.edu/~malaiya/j/dreams16/Dreams16.html
The V&A in London specialises in art and design. Its enormous collections include historical and contemporary sculptures, textiles, furniture, jewellery, photographs, drawings, books, prints, ceramics, glass- and metalwork, theatre and performance artefacts. It has extensive Asian holdings, including many illustrated Jain manuscripts, and is one of the JAINpedia partners.
Victoria and Albert Museum. IS.50-1983. Unknown author. 19th century
Gamma 453. Wellcome Trust Library. Unknown author. 1512
British Library. Or. 13959. Unknown author. 1639
With Gujarati commentary. Victoria and Albert Museum. IS. 35-1971. Śrīcandra. 18th century
Gamma 453. Wellcome Trust Library. Unknown author. 1512