Contributed by Nalini Balbir
The courtyard where the temple is found is often called Ratan-pol – ‘Jewel Gate’. It has this name because, according to tradition, a pilgrim goes through the gate and first catches sight of the temple, which is like a jewel. Here is the principal Adishvara or Adishvar Temple of Shatrunjaya, one of the most important focal points of worship, located at the highest point of the summit.
The building houses a white marble image of the first Jina, Ṛṣabhanatha or Lord Ṛṣabha, sitting in the lotus position, with his emblem the bull carved beneath. There is a relief of a peacock and a snake, which is an emblematic motif of Shatrunjaya. In the vestibule there is an image of Ṛṣabha's mother Marudevī seated on an elephant, holding in her arms her grandsons Bharata and Bāhubali. Behind the temple is the Surya Kund, a round water tank.
All Jain temples are set on high platforms or terraces and when visiting a temple walking around its outside – pradakṣiṇā – is part of the ritual. Pilgrims to the Adishvar Temple are advised to make three circumambulations to discover adjacent temples or holy spots.
In the first circumambulation pilgrims see:
Walking round the second time, the visitors can see:
The third circumambulation displays:
In the main enclosure, pilgrims can also visit:
In descriptions of Mount Shatrunjaya the temples and enclosures found outside the southern summit are commonly grouped into the ‘Nine Enclosures’ – ‘Nav Tunk’ in Gujarati. This is the model followed here.
In order to reach these Nine Enclosures pilgrims have to leave the southern summit, go back down to the fork in the road and then take the other branch of the road.
Walking along that fork to the gate leading to the enclosures, visitors pass the ‘Angar Shah Pir’. This shrine of a Muslim saint is of unclear origin.
The first seven enclosures are on the northern summit, the last two in the valley.
In the order of access from the road, they are as detailed in this table.
Enclosure |
Name |
Date |
Description |
---|---|---|---|
1 |
Narshi Keshavji Tunk |
1862 to 1864 |
Of white marble, the main temple has two storeys and is dedicated to the fourth Jina, Abhinandananātha or Lord Abhinandana. It was the most recent construction when Burgess surveyed and described the site. |
2 |
Chaumukhji Tunk – also called Khartar Vasi and Sava Somji Tunk |
rebuilt in 1618 to 1619 |
The most imposing structure on this part of the hill, the main temple houses a colossal four-faced image of the first Jina. There is also a shrine dedicated to Puṇḍarīka, the first disciple of Ṛṣabha. |
3 |
Chipa Vasi Tunk |
built during the 14th century and renovated in 1735 |
Although the main temple is dedicated to Ṛṣabha, other Jinas are also associated with this spot. It is said that here Nandiṣeṇa composed the famous Ajita-Śānti-stavana, a hymn of praise dedicated to the second Jina, Ajitanātha or Lord Ajita, and the 16th, Śāntinātha or Lord Śānti. |
4 |
Shakar Shah Tunk |
1836 |
The main temple is dedicated to Chintamani Parshvanath. |
5 |
Ujambhai Tunk |
1848 |
Nandishvar-dvip Temple has 57 marble miniature temples, each with a four-faced Jina image. |
6 |
Sheth Hemabhai Tunk |
1826 |
Dedicated to the second Jina, Ajita, the main temple contains a major inscription. It gives the genealogy of a wealthy family from Ahmedabad and an account of its religious activity in Shatrunjaya and other holy places in Gujarat (Kanchansagar-suri 1982: number 160). |
7 |
Premchand Modi Tunk – also called Prema Vasahi |
1786 |
Found at the highest level, the main temple is dedicated to the first Jina and to Puṇḍarīka, his first disciple. |
8 |
Balabhai Tunk – also called Balavasi |
1836 to 1837 |
The main temple is the Chaumukh Temple, dedicated to the first Jina. |
9 |
Sheth Moti Shah Tunk |
1836 |
Built over a ditch between the two summits, the principal temple is dedicated to the first Jina. The ditch had first to be filled in, which required 1100 architects and 300 workers. |